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| Semester | Frühjahrsemester 2020 |
| Angebotsmuster | einmalig |
| Dozierende | Maria Eriksson (maria.eriksson@unibas.ch, BeurteilerIn) |
| Inhalt | The aim of this seminar is to explore and critically discuss how digital technologies shape people’s ways of interacting with music online. Since the 1990s, the distribution of music has increasingly moved into the digital domain, and music applications such as Spotify, SoundCloud, and YouTube now play a significant role in regulating how audiences reach music. How are digital platforms for music similar and/or different from the distributive systems that came before them? What cultural ideas and norms are built into online services for music, and how do they shape listener’s ways of finding, enjoying, and engaging with music? What role does formats, protocols, and compression techniques play in deciding how music moves and circulates in the online domain? And what happens when important decisions regarding music are increasingly outsourced to algorithms, software technologies, and ‘intelligent’ machines? In the seminar, we will discuss topics such as the politics of music recommendation systems, the cultural and financial dynamics of music interface design, and the hidden means by which user data is monetized and transformed into value on online platforms for music. All seminars and writing assignments will be held in English. |
| Literatur | Examples of readings (full syllabus will be provided shortly before the course starts): - Eriksson, Maria et.al. 2019. Spotify Teardown: Inside the Black Box of Streaming Music. Cambridge & London: MIT Press. - Sterne, Jonathan. 2012. MP3: The Meaning of a Format. Durham & London: Duke University Press. - Morris, Jeremy W. 2015. Selling Digital Music, Formatting Culture. Oakland: University of California Press. - Seaver, Nick. 2019. Captivating Algorithms: Recommender Systems as Traps. Journal of Material Culture, Vol. 24(4). |
| Bemerkungen | The course language is English. Students will be asked to submit a short essay to qualify for the class if the number of course applicants exceeds 25 people. |
| Teilnahmebedingungen | Abgeschlossenes Basisstudium GTM. |
| Unterrichtssprache | Englisch |
| Einsatz digitaler Medien | kein spezifischer Einsatz |
| Intervall | wöchentlich |
| Datum | 17.02.2020 – 25.05.2020 |
| Zeit |
Montag, 14.15-16.00 Holbeinstrasse 12, Seminarraum |
| Datum | Zeit | Raum |
|---|---|---|
| Montag 17.02.2020 | 14.15-16.00 Uhr | Holbeinstrasse 12, Seminarraum |
| Montag 24.02.2020 | 14.15-16.00 Uhr | Holbeinstrasse 12, Seminarraum |
| Montag 02.03.2020 | 14.15-16.00 Uhr | Fasnachtsferien |
| Montag 09.03.2020 | 14.15-16.00 Uhr | Holbeinstrasse 12, Seminarraum |
| Montag 16.03.2020 | 14.15-16.00 Uhr | online |
| Montag 23.03.2020 | 14.15-16.00 Uhr | online |
| Samstag 28.03.2020 | 10.15-17.00 Uhr | online |
| Montag 06.04.2020 | 14.15-16.00 Uhr | online |
| Montag 13.04.2020 | 14.15-16.00 Uhr | Ostern |
| Montag 04.05.2020 | 14.15-18.00 Uhr | online |
| Montag 11.05.2020 | 14.15-16.00 Uhr | online |
| Montag 18.05.2020 | 14.15-16.00 Uhr | online |
| Montag 25.05.2020 | 14.15-18.00 Uhr | online |
| Module |
Modul: Aufbaustudium Grundlagentheorien der Medienwissenschaft (Bachelor Studienfach Medienwissenschaft) |
| Leistungsüberprüfung | Lehrveranst.-begleitend |
| An-/Abmeldung zur Leistungsüberprüfung | Anmelden: Belegen; Abmelden: nicht erforderlich |
| Wiederholungsprüfung | keine Wiederholungsprüfung |
| Skala | Pass / Fail |
| Wiederholtes Belegen | nicht wiederholbar |
| Zuständige Fakultät | Philosophisch-Historische Fakultät, studadmin-philhist@unibas.ch |
| Anbietende Organisationseinheit | Fachbereich Medienwissenschaft |