Zurück
| Semester | Frühjahrsemester 2017 |
| Angebotsmuster | einmalig |
| Dozierende | Stefanie Bräuer (s.braeuer@unibas.ch, BeurteilerIn) |
| Inhalt | In this course we choose as starting point our senses and their media: The term audiovisuality points to the ongoing attempt to put two of our senses – hearing and seeing – in a close relationship to one another. This fusion of the senses is accompanied and enabled by technical media: various audio technologies for recording and (re-)producing sound such as musical notation, live performance, phonographic recording techniques, and audio synthesis, combined with various modes of visualization and image generation, from painting and photography to film, video or computer-generated imagery. The course combines a historical and theoretical approach with practical exercises. The aim is to offer a space where students may investigate the role of audiovisual oscillations in science and technology (pendulums and mathematics, oscillographic curves and physics of sound) as well as the visual arts (visual music, abstraction and synesthesia, sound film, expanded cinema and music videos, audiovisual synthesis and computer graphics). Please consider that you'll need a laptop for this course. We'll meet at Critical Media Lab (CML), Freilager-Platz 1, third floor on 27.2., 20.3., 3.4., 15.5., and 29.5., from 9:15 until 12:15. |
| Lernziele | As a part of the hands-on exercises, students will learn Processing, an approachable programming language developed for artists and designers. They will program small sketches, in order to explore audiovisuality. Complementing these practical exercises with a historical and theoretical approach, students will prepare brief presentations on selected examples from the history of audiovisual media, science and technology and the visual arts. |
| Literatur | - See This Sound. Audiovisuology. Compendium. An Interdisciplinary Survey of Audiovisual Culture, edited by Dieter Daniels, Sandra Naumann, and Jan Thoben, Köln: Walther König, 2010. - Visual Music. Synaesthesia in Art and Music since 1900, exh.-cat. Museum of Contemporary Art Los Angeles, London: Thames & Hudson, 2005. - The Oxford Handbook of New Audiovisual Aesthetics, edited by John Richardson, Claudia Gorbman, and Carol Vernallis, Oxford: Oxford University Press, 2013. A comprehensive bibliography will be handed out in the first session. |
| Bemerkungen | - Es wird ein eigener Computer (Laptop) benötigt. - Der Kurs findet in Kooperation mit der Hochschule für Gestaltung und Kunst der FHNW statt. - Die Kurstermine sind: 27.2., 20.3., 3.4., 15.5., 29.5. je 9:15-12:15. |
| Unterrichtssprache | Englisch |
| Einsatz digitaler Medien | kein spezifischer Einsatz |
| Intervall | Wochentag | Zeit | Raum |
|---|
Keine Einzeltermine verfügbar, bitte informieren Sie sich direkt bei den Dozierenden.
| Module |
Modul Medienpraktischer Kurs (Bachelor Studienfach: Medienwissenschaft (Studienbeginn vor 01.08.2012)) Wahlbereich Bachelor Medienwissenschaft: Empfehlungen (Bachelor Studienfach: Medienwissenschaft) |
| Leistungsüberprüfung | Lehrveranst.-begleitend |
| An-/Abmeldung zur Leistungsüberprüfung | Anmelden: Belegen; Abmelden: nicht erforderlich |
| Wiederholungsprüfung | keine Wiederholungsprüfung |
| Skala | Pass / Fail |
| Wiederholtes Belegen | nicht wiederholbar |
| Zuständige Fakultät | Philosophisch-Historische Fakultät, studadmin-philhist@unibas.ch |
| Anbietende Organisationseinheit | Fachbereich Medienwissenschaft |