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79742-01 - Seminar: Georgian Cinema as Archive: Film, Memory and National Identity Across Empires (3 KP)

Semester Herbstsemester 2026
Angebotsmuster einmalig
Dozierende Nino Dzandzava (nino.dzandzava@unibas.ch, BeurteilerIn)
Inhalt This seminar examines the history of Georgian cinema from its early twentieth-century origins through the Soviet period, approaching it through an archival perspective. It encourages students to rethink cinema as a historical and cultural archive of images, identities, and political imaginaries, and as a site where memory is produced and manifested.

The seminar explores the extent to which Russian imperial and later Soviet ideologies shaped film production, distribution, and reception in Georgia. It considers films as historical documents that reveal how filmmakers maneuvered within ideological dictates (adapting to, participating in, or resisting dominant frameworks), while contributing to the construction of national cinematic identity.

Methodologically, the seminar moves beyond a linear, chronological survey of national cinema. Instead, it adopts a cross-chronological and thematic approach based on selected case studies. It examines the works of directors including Mikhail Kalatozov (Mikheil Kalatozishvili), Mikheil Chiaureli, Giorgi Danelia, Lana Gogoberidze, Nutsa Gogoberidze, Otar Iosseliani, Eldar Shengelaia, and Tengiz Abuladze and challenges the notion of Soviet cinema’s homogeneity.

The course foregrounds questions of fragmentation, loss, and survival, asking how film history is reconstructed from incomplete and uneven materials. These include films, newsreels, censorship records, production documents, film posters, and other visual and textual traces that shape the historiography of Georgian cinema. In doing so, the seminar encourages a critical reassessment of existing film histories and the conditions under which they have been produced.

The seminar will be taught in English. Knowledge of Georgian or Russian is welcome but not required, as all key materials will be provided in translation.
Lernziele By the end of the course, students will acquire historical knowledge and methodological tools for analysing cinema within cultural and political contexts. In particular, they will gain an overview of key periods, figures, and developments in the history of Georgian cinema and they will develop the ability to analyse films as aesthetic texts and historical documents. The students will engage with different types of sources relevant to film history, including audiovisual materials and paper archives.

 

Unterrichtssprache Englisch
Einsatz digitaler Medien kein spezifischer Einsatz

 

Intervall Wochentag Zeit Raum
Block Siehe Einzeltermine

Einzeltermine

Datum Zeit Raum
Freitag 18.09.2026 14.15-17.45 Uhr Nadelberg 8, Seminarraum 13
Freitag 02.10.2026 14.15-17.45 Uhr Nadelberg 8, Seminarraum 13
Freitag 16.10.2026 14.15-17.45 Uhr Nadelberg 8, Seminarraum 13
Freitag 30.10.2026 14.15-17.45 Uhr Nadelberg 8, Seminarraum 13
Freitag 13.11.2026 14.15-17.45 Uhr Nadelberg 8, Seminarraum 13
Freitag 04.12.2026 14.15-17.45 Uhr Nadelberg 8, Seminarraum 13
Freitag 11.12.2026 14.15-17.45 Uhr Nadelberg 8, Seminarraum 13
Module Modul: Literatur im Zusammenspiel der Künste und Medien (Master Studiengang: Literaturwissenschaft)
Modul: Spezialisierung «Geschichte und Polititsche Bildung» (Masterstudium: Fachdidaktik)
Modul: Visuelle Medien in Osteuropa (Bachelor Studiengang: Osteuropa-Studien)
Modul: Visuelle Medien in Osteuropa (Bachelor Studienfach: Osteuropäische Kulturen)
Prüfung Lehrveranst.-begleitend
An-/Abmeldung zur Prüfung Anmelden: Belegen; Abmelden: nicht erforderlich
Wiederholungsprüfung keine Wiederholungsprüfung
Skala Pass / Fail
Belegen bei Nichtbestehen nicht wiederholbar
Zuständige Fakultät Philosophisch-Historische Fakultät, studadmin-philhist@unibas.ch
Anbietende Organisationseinheit Fachbereich Slavistik

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