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| Semester | Frühjahrsemester 2026 |
| Angebotsmuster | unregelmässig |
| Dozierende | Peter Fornaro (peter.fornaro@unibas.ch, BeurteilerIn) |
| Inhalt | Photography is shaped as much by technology as by aesthetics. This seminar follows key shifts from analogue cameras and darkroom work to digital capture and software-based editing, showing how tools changed what photographers could do - and what viewers came to expect. We will discuss the history and future of photography, current developments in computational photography and AI, asking what still counts as a “photograph” and how we can judge credibility and intention in a world of increasingly automated images. |
| Lernziele | After the seminar, students will be able to … - outline key shifts from analogue photography (camera + darkroom) to digital photography (capture + software-based editing) and explain them with concrete examples. - explain how tools and workflows (cameras, editing software, platforms) shape photographic choices, visual styles, and viewers’ expectations. - use core concepts of authenticity, manipulation, provenance, and context with confidence and precision. - situate current developments in computational photography and AI, and argue what may still count as “a photograph” today. - assess an image’s credibility and intention by combining visual cues with contextual information, without falling into technological determinism. |
| Teilnahmevoraussetzungen | The number of participants is limited to 20. In case of over-subscription, students of Digital Humanities will be given priority. |
| Anmeldung zur Lehrveranstaltung | Bitte belegen Sie die Veranstaltung über das System der Universität Basel. |
| Unterrichtssprache | Englisch |
| Einsatz digitaler Medien | kein spezifischer Einsatz |
| Intervall | Wochentag | Zeit | Raum |
|---|---|---|---|
| wöchentlich | Donnerstag | 10.15-12.00 | Kollegienhaus, Seminarraum 105 |
| Datum | Zeit | Raum |
|---|---|---|
| Donnerstag 26.02.2026 | 10.15-12.00 Uhr | Fasnachtsferien |
| Donnerstag 05.03.2026 | 10.15-12.00 Uhr | Kollegienhaus, Seminarraum 105 |
| Donnerstag 12.03.2026 | 10.15-12.00 Uhr | Kollegienhaus, Seminarraum 105 |
| Donnerstag 19.03.2026 | 10.15-12.00 Uhr | Kollegienhaus, Seminarraum 105 |
| Donnerstag 26.03.2026 | 10.15-12.00 Uhr | Kollegienhaus, Seminarraum 105 |
| Donnerstag 02.04.2026 | 10.15-12.00 Uhr | Ostern |
| Donnerstag 09.04.2026 | 10.15-12.00 Uhr | Kollegienhaus, Seminarraum 105 |
| Donnerstag 16.04.2026 | 10.15-12.00 Uhr | Kollegienhaus, Seminarraum 105 |
| Donnerstag 23.04.2026 | 10.15-12.00 Uhr | Kollegienhaus, Seminarraum 105 |
| Donnerstag 30.04.2026 | 10.15-12.00 Uhr | Kollegienhaus, Seminarraum 105 |
| Donnerstag 07.05.2026 | 10.15-12.00 Uhr | Kollegienhaus, Seminarraum 105 |
| Donnerstag 14.05.2026 | 10.15-12.00 Uhr | Auffahrt |
| Donnerstag 21.05.2026 | 10.15-12.00 Uhr | Kollegienhaus, Seminarraum 105 |
| Donnerstag 28.05.2026 | 10.15-12.00 Uhr | Kollegienhaus, Seminarraum 105 |
| Module |
Doktorat Digital Humanities: Empfehlungen (Promotionsfach: Digital Humanities) Modul: Creating, Analyzing and Visualizing of Data (Master Studienfach: Digital Humanities) |
| Prüfung | Lehrveranst.-begleitend |
| Hinweise zur Prüfung | - Attendance and active participation (presence is required). - Oral presentation (short seminar talk on a chosen topic/image/case study, followed by discussion). |
| An-/Abmeldung zur Prüfung | Anmelden: Belegen; Abmelden: nicht erforderlich |
| Wiederholungsprüfung | keine Wiederholungsprüfung |
| Skala | Pass / Fail |
| Belegen bei Nichtbestehen | beliebig wiederholbar |
| Zuständige Fakultät | Philosophisch-Historische Fakultät, studadmin-philhist@unibas.ch |
| Anbietende Organisationseinheit | Digital Humanities Lab |