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79742-01 - Seminar: Georgian Cinema as Archive: Film, Memory and National Identity Across Empires (3 CP)

Semester fall semester 2026
Course frequency Once only
Lecturers Nino Dzandzava (nino.dzandzava@unibas.ch, Assessor)
Content This seminar examines the history of Georgian cinema from its early twentieth-century origins through the Soviet period, approaching it through an archival perspective. It encourages students to rethink cinema as a historical and cultural archive of images, identities, and political imaginaries, and as a site where memory is produced and manifested.

The seminar explores the extent to which Russian imperial and later Soviet ideologies shaped film production, distribution, and reception in Georgia. It considers films as historical documents that reveal how filmmakers maneuvered within ideological dictates (adapting to, participating in, or resisting dominant frameworks), while contributing to the construction of national cinematic identity.

Methodologically, the seminar moves beyond a linear, chronological survey of national cinema. Instead, it adopts a cross-chronological and thematic approach based on selected case studies. It examines the works of directors including Mikhail Kalatozov (Mikheil Kalatozishvili), Mikheil Chiaureli, Giorgi Danelia, Lana Gogoberidze, Nutsa Gogoberidze, Otar Iosseliani, Eldar Shengelaia, and Tengiz Abuladze and challenges the notion of Soviet cinema’s homogeneity.

The course foregrounds questions of fragmentation, loss, and survival, asking how film history is reconstructed from incomplete and uneven materials. These include films, newsreels, censorship records, production documents, film posters, and other visual and textual traces that shape the historiography of Georgian cinema. In doing so, the seminar encourages a critical reassessment of existing film histories and the conditions under which they have been produced.

The seminar will be taught in English. Knowledge of Georgian or Russian is welcome but not required, as all key materials will be provided in translation.
Learning objectives By the end of the course, students will acquire historical knowledge and methodological tools for analysing cinema within cultural and political contexts. In particular, they will gain an overview of key periods, figures, and developments in the history of Georgian cinema and they will develop the ability to analyse films as aesthetic texts and historical documents. The students will engage with different types of sources relevant to film history, including audiovisual materials and paper archives.

 

Language of instruction English
Use of digital media No specific media used

 

Interval Weekday Time Room
Block See individual dates

Dates

Date Time Room
Friday 18.09.2026 14.15-17.45 Nadelberg 8, Seminarraum 13
Friday 02.10.2026 14.15-17.45 Nadelberg 8, Seminarraum 13
Friday 16.10.2026 14.15-17.45 Nadelberg 8, Seminarraum 13
Friday 30.10.2026 14.15-17.45 Nadelberg 8, Seminarraum 13
Friday 13.11.2026 14.15-17.45 Nadelberg 8, Seminarraum 13
Friday 04.12.2026 14.15-17.45 Nadelberg 8, Seminarraum 13
Friday 11.12.2026 14.15-17.45 Nadelberg 8, Seminarraum 13
Modules Modul: Literatur im Zusammenspiel der Künste und Medien (Master's degree program: Literary Studies)
Modul: Spezialisierung «Geschichte und Polititsche Bildung» (Master's Studies: Subject-Specific Teaching and Learning)
Modul: Visuelle Medien in Osteuropa (Bachelor's degree program: Eastern European Studies)
Modul: Visuelle Medien in Osteuropa (Bachelor's degree subject: Eastern European Cultures)
Assessment format continuous assessment
Assessment registration/deregistration Reg.: course registration; dereg.: not required
Repeat examination no repeat examination
Scale Pass / Fail
Repeated registration no repetition
Responsible faculty Faculty of Humanities and Social Sciences, studadmin-philhist@unibas.ch
Offered by Fachbereich Slavistik

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