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76508-01 - Seminar: Beyond Breton: Surrealism in Britain and the Anglophone World (3 CP)

Semester fall semester 2025
Course frequency Once only
Lecturers Thomas Manson (thomas.manson@unibas.ch, Assessor)
Content André Breton’s first "Manifesto of Surrealism" (1924) initiated a radical project of re-enchantment. Through its visionary concoction of Freudian psychoanalysis and Marxist politics – realized in bizarre prose and artworks, full of strange collage and uncanny found objects – surrealism would attempt to unleash a world of dreams upon an increasingly disenchanted and oppressive capitalist modernity. We all recognize works by the likes of René Magritte and Salvador Dalí: telephones transforming into lobsters, day turning into night, a pipe which is not a pipe. But as highlighted by recent retrospectives such as the Tate’s 2022 exhibition "Surrealism Beyond Borders", surrealism stretched far beyond its spiritual home in Paris, moving through cities as diverse as Cairo, Tokyo, and Dakar (where the first president of Senegal, Léopold Sédar Senghor, was himself a surrealist poet).

In keeping with this general reappraisal, our course will explore an underappreciated tradition of surrealism in Britain and the wider Anglophone world. After tending to crucial British influences on French surrealism such as Matthew Lewis’s gothic novel "The Monk" (1796), we will return to Breton’s own era and the first London International Surrealist Exhibition held in 1936. The mysterious, alchemical writings and artworks of Ithell Colquhoun and Leonora Carrington will take us from Cornwall to Mexico, provoking discussions around occult magic, gender, and surrealism’s complex relationship to non-Western cultures. We will then finish in the US of the 1960s and 70s, where the Chicago Surrealist Group re-energized surrealism through a more explicitly anarchist politics and a heightened concern for issues surrounding race, as exemplified by the jazz-inflected ‘Afrosurrealist’ works of Ted Joans and Ishmael Reed. In the process, we will scrutinize surrealism and its literary and artistic methods alongside an assortment of theoretical approaches. But importantly, we will treat surrealism not solely as an artistic movement, but rather as a daring, deeply political endeavour to live differently.
Learning objectives Students will gain an understanding of key critical and methodological approaches to surrealism (with a particular emphasis on theoretical work around psychoanalysis and ‘Gothic Marxism’), refining their analytical skills as well as their ability to apply theory and wider-historical sources to the texts in question.
Bibliography Please purchase the following texts:
- Matthew Lewis. “The Monk”.
- Ithell Colquhoun. “Goose of Hermogenes”.
- Leonora Carrington. “The Hearing Trumpet”.
- Ishmael Reed. “Mumbo Jumbo”.

All other texts will be made available on ADAM.
Comments Given the artistic breadth of the surrealist movement, this course will take an interdisciplinary approach, considering the works of artists and filmmakers alongside our chosen texts.
Weblink ADAM

 

Admission requirements This seminar is for BA students who have completed all introductory courses including the proseminar papers.
Language of instruction English
Use of digital media Online, mandatory

 

Interval Weekday Time Room
wöchentlich Monday 16.15-18.00 Nadelberg 6, Raum 11

Dates

Date Time Room
Monday 15.09.2025 16.15-18.00 Nadelberg 6, Raum 11
Monday 22.09.2025 16.15-18.00 Nadelberg 6, Raum 11
Monday 29.09.2025 16.15-18.00 Nadelberg 6, Raum 11
Monday 06.10.2025 16.15-18.00 Nadelberg 6, Raum 11
Monday 13.10.2025 16.15-18.00 Nadelberg 6, Raum 11
Monday 20.10.2025 16.15-18.00 Nadelberg 6, Raum 11
Monday 27.10.2025 16.15-18.00 Nadelberg 6, Raum 11
Monday 03.11.2025 16.15-18.00 Nadelberg 6, Raum 11
Monday 10.11.2025 16.15-18.00 Nadelberg 6, Raum 11
Monday 17.11.2025 16.15-18.00 Nadelberg 6, Raum 11
Monday 24.11.2025 16.15-18.00 Nadelberg 6, Raum 11
Monday 01.12.2025 16.15-18.00 Nadelberg 6, Raum 11
Monday 08.12.2025 16.15-18.00 Nadelberg 6, Raum 11
Monday 15.12.2025 16.15-18.00 Nadelberg 6, Raum 11
Modules Modul: Advanced Anglophone Literary and Cultural Studies (Bachelor's degree subject: English)
Assessment format continuous assessment
Assessment details Regular attendance, active participation and written assignment.
Assessment registration/deregistration Reg.: course registration; dereg.: not required
Repeat examination no repeat examination
Scale Pass / Fail
Repeated registration no repetition
Responsible faculty Faculty of Humanities and Social Sciences, studadmin-philhist@unibas.ch
Offered by Fachbereich Englische Sprach- und Literaturwissenschaft

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